Image Courtesy en.wikipedia.org |
You know, I’m kind of surprised that people
don’t like Thor more than they do.
This is actually one of my favorite MCU solo movies, and only third
after The Avengers and Iron Man in Phase 1. It has easily the most interesting and
dynamic villain and gives both the hero and villain satisfying arcs. Plus, this movie sets an incredible tone for
an entire new alien race and their society.
All this, and it brings a form of magic into the MCU (which up to
this point was exclusively the domain of science.
This movie certainly has its
flaws, but I still think it deserves more credit than it gets.
The primary focus of the movie is
of course on the title character, Thor Odinson.
Thor is a brash young prince on the day of his coronation to become the
next King of Asgard. However, his
coronation is interrupted by a small team of Frost Giants attempting to steal
back the “Casket of Ancient Winters.”
The Frost Giants are quickly defeated, but the coronation is put on
hold. Thor—ever the brash one—runs off
to Jotunheim with his friends to get answers about the infiltration, but his
actions start a war between Asgard and Jotunheim, for which Thor is banished to
Earth (Midgard).
Image Courtesy www.wired.com |
Thor’s story in this movie is
very much a classic “Hero’s Journey,” from the Call to Action of his banishment
to the refusal of supernatural aid when he is unable to wield Mjolnir. His time on Midgard fits in the category of
“Challenges and Temptations” as he learns humility and discovers what it truly
means to place the needs of others ahead of his own. Both Jane Foster and Erik Selvig play
important roles in this journey by helping him understand and (in Jane’s case)
giving him someone to put ahead of himself.
The clearest example of the Hero’s Journey in this movie (and one of my
favorite scenes in all of the MCU) is near the end when Sif and the Warriors
Three fail to defeat the Destroyer and Thor offers his own life to turn aside
Loki’s fury and save his friends’ lives.
The Destroyer literally kills him, and it is this act of self-sacrifice
which actually makes him worthy of wielding Mjolnir again. He is resurrected and completely transformed
before defeating the Destroyer and returning to Asgard. On Asgard he must make Atonement for his
arrogance and hot-temperedness by saving Jotunheim from destruction—but this
closes Asgard off from the rest of the realms, including Midgard. At the end of the movie Thor is a changed
man: mature, selfless, and ready to
become a hero for both Midgard and Asgard.
Now, there are some ways in which
this is rushed—the whole movie (or at least the Earth-based portion of it)
takes place over the space of a long weekend—but it is still complete. Actually, I think that this is a larger part
of the movie than the Christological imagery which is also prevalent
throughout. Granted, when your
protagonist is a “god” who also happens to be the “son of god,” has virtually
unlimited power, and protects the world from the forces of evil, it’s pretty hard
to avoid allusions to the other God who is the Son of God, has unlimited
power, and saves the world from evil!
Having said that, the religious imagery in Thor is much more
subtle than in, say, Man of Steel, which really hammers the point home
with its “god” who also happens to be the “son of god,” has virtually
unlimited power, and protects the world from the forces of evil! By contrast, Thor makes the
connections in ways that fit with the plot, such as Thor and Jane serving
breakfast together and Thor offering his own life in exchange for those of his
friends.
Image Courtesy marvel-movies.wikia.com |
In terms of the villain, Loki is
easily the most complex and developed villain in the MCU so far, and I can only
think of a couple who come close, and both of them lose points because we don’t
really see the transformation in them, while this movie is all about
Loki’s transformation from dutiful (if tricky) brother and son to full-blown
genocidal villain. Darren Cross in Ant-Man
has a similar back story to Loki’s, as a protégé/surrogate son who was betrayed
by his father-figure and attempted to take over the “kingdom” to make him
“proud.” However, we didn’t see any of
what that relationship looked like before the falling-out. Zemo also has a complex revenge-based
motivation for his actions in Captain America: Civil War, but he also is
a fully-formed villain when we meet him in that movie.
Loki is a very well done
villain: we can really see and feel the
disappointment from him, knowing that he will never measure up to Thor. And given everything that he’s been through,
we can even sympathize with his desire for what amounts to his father’s
approval. His plan is actually quite
well thought out, at least up until he decides to straight-up destroy a planet (something
that his father would never approve of).
And considering the brokenness of his relationships with both Thor and
Odin, this movie does an excellent job of setting up the family dynamics which
drive part of the conflict in The Avengers and Thor: The Dark World.
On the subject of larger universe
continuity, it is impressive just how self-contained this movie is, considering
that it introduces both the villain and the McGuffin for The Avengers. S.H.I.E.L.D. of course appears pretty
quickly in the movie as an antagonist, but their role fits with both the movie
and the organization: if an alien object
like Mjolnir landed in New Mexico, you would expect an agency like S.H.I.E.L.D.
to know about it and contain it. They
don’t necessarily want to lock Thor up and dissect him, but they aren’t fans of
beings powerful enough to destroy a good chunk of the planet. Beyond S.H.I.E.L.D., the only other major
universe-building element is the introduction of Loki. Clint Barton, a.k.a. Hawkeye, gets a minor
cameo as a sniper watching Thor’s infiltration of the compound, and the
Tesseract appears in the end-credits scene, which also shows Selvig going to
work for S.H.I.E.L.D. in studying it.
Compared to Iron Man 2, there are practically no
connections between this movie and the rest of the universe!
Image Courtesy www.tvtropes.org |
The tone and setting of the movie
is very well executed, something that only a Shakespearean-trained actor and
director like Kenneth Branagh would be able to nail so well. I love the visuals and music, both of which
are very much in keeping with an alien civilization which is culturally stuck
in the Middle Ages but employs a level of technology centuries ahead of our
own. The magic-as-technology aspect of
this movie is a brilliant way to start incorporating those elements into the
MCU, particularly when everything previous in the MCU is technologically-based. The best example of this comes when Jane,
Darcy, and Selvig are arguing at the lab and Jane mentions the Arthur C. Clarke
quote that “magic’s just science that we don’t understand yet,” which gives a
very broad scientific explanation for everything Asgardian (which is the main
reason for having Jane be a physicist in this movie). Darcy being a “political science major” also
comes into play here as she’s the one who points out that incredibly-advanced
aliens would be perceived as gods by a “primitive” culture like the
Vikings. This does make some major
changes to the mythology of the comics, but this early in the MCU, I think this
was the best way to work Thor and Asgard in!
All of the movie’s action scenes
are very good, particularly when Thor and Loki fight at the end of the
movie. I like that the Asgardians use
period weapons with a bit of a twist, including the magic/technology of the
Destroyer. The fight against the
Destroyer is definitely spectacular when Sif and the Warriors Three are getting
their butts handed to them. However,
what should have been the highlight of the fight—and perhaps the second-best
fight after Thor/Loki—was when the resurrected Thor destroyed the
Destroyer. But that fight just felt
anticlimactic: Thor hits the Destroyer with
Mjolnir and then lifts it into the air with a massive tornado, and then we just
see the Destroyer’s “face” crumpled in so it explodes. There really isn’t even any fight
between them! But considering that
that’s my biggest complaint, that’s not too bad!
This movie is not without its
flaws, but it is very well executed and does a great job of introducing Asgard
into the MCU. Both Thor and Loki have
great character arcs in this movie, which do well to set up their future
appearances in the MCU.
What do you think of Thor? Do you think it deserves its Rotten Tomatoes
score, or is it better than that? Let me
know in the comments!
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