Image Courtesy www.comicbook.com |
The third episode of this season, “New York’s
Finest,” is certainly one of, if not the, best episodes of the season—if
not the series to-date. The character
development for both Daredevil and the Punisher is incredible as both lay out
their specific views of what they are doing.
Foggy gets his moment to shine.
And the action sequence at the end of the episode is absolutely
amazing. Oh, and this episode has the
biggest direct nod to the comics in the season.
The episode opens with Matt
waking up rather groggily after being knocked out and captured by the Punisher
at the end of the previous episode. He
comes to chained to a chimney with the Punisher watching him while calmly
sipping coffee from a thermos. These two
have great chemistry throughout their scenes together. I love that Punisher doesn’t take off Matt’s
helmet and doesn’t care who he is underneath; instead, he just calls him “Red”
all the time. While on the roof, the two
share their perspectives of crime-fighting:
Matt believes that there is still some good in the criminals he
apprehends; he believes that they might be able to change. Frank, on the other hand, believes that there
is no good left in the criminals he kills.
Matt responds that even if that is true, it is not their job to serve as
judge, jury, and executioner; only God (or the duly appointed justice system)
can determine that.
Image from Punisher Vol. 4 #3 |
Matt next wakes up with a .357
revolver duct taped to his hand and Frank standing over Grotto and holding a
gun to his head. Frank forces Grotto to
confess to a hit he carried out for the Kitchen Irish, one which was witnessed
by an elderly woman whom Grotto also killed.
Then Frank gives him the ultimatum:
either he kills Frank to save Grotto (thus making him a murderer) or he
does nothing, thereby allowing Frank to kill Grotto (thus making him a
murderer). This scene almost exactly
replicates a scene from Punisher Vol. 4, in which the Punisher gives
Daredevil the exact same choice under the exact same circumstances. What I love about the resolution is that
Daredevil takes the third option: he
doesn’t shoot Frank or Grotto; he shoots the lock on the chain, breaking it and
giving himself the opening to attack Punisher.
Punisher still manages to shoot Grotto, however, and Grotto dies from
blood loss in Daredevil’s arms.
Meanwhile, Punisher shoots the Dogs of Hell’s motorcycles, drawing their
attention. Rather than team up against
the Dogs of Hell, however, Daredevil knocks the Punisher out and takes him to
the freight elevator.
What follows might be the coolest
fight sequence in the series—maybe even the best fight sequence to come out of
Marvel TV thus far. Daredevil starts off
by fighting the Dogs of Hell in a hallway, using the chain that is still
duct-taped to his hand. He knocks
several of them down and then follows the group down the stairs, fighting as he
goes. He fights his way down another
hallway, finally taking out the last four Dogs.
This scene is basically “violence porn” (I actually wrote that in my
notes!), and it is amazing!
Image Courtesy www.technobuffalo.com |
Foggy and Karen also get a lot to
do in this episode. Foggy’s first move
on seeing that Matt is missing is to find Claire at Metro-General, since she’s
the only other person Matt trusts with his secret, and she’s the one he would
ask to patch him up. Claire is in the
middle of the “shift from hell” as punishment for having ditched out for a
couple days to help patch up and tend Luke Cage during Jessica Jones
season 1. As such she doesn’t much care
to help Matt out again, even though she still appreciates what he is doing. The emergency room looks like a war zone,
with rough-looking gangbangers all over the place. While the two of them are talking, Claire
puts Foggy to work helping her tend one of the victims. However, while they are working, 2 gangbangers
from rival gangs attack each other.
I have to say, Foggy talking down
two hyped-up gangbangers who are threatening to kill each other in the middle
of the hospital might be his best scene up to this point. He’s actually able to hard-ball the two of them
by making them realize that if they fight in the middle of an emergency room
surrounded by witnesses, with cops outside, they are just handing the case to
the D.A. and they are going away for a long time. And thanks to Foggy, the two agree not to
fight and the situation is defused. I
think this really shows Foggy’s development as a character, moving out of
Matt’s shadow in Nelson and Murdock.
Claire finally has an opportunity
to search the hospital database for information on Matt, but she can’t find him
in any of the hospitals or morgues in the City.
Before sending Foggy away, she tells him that she wishes things could
have been different with her and Matt—but he’s just too complicated. However, the City needs Matt, and Matt needs
Foggy. I think this is the key for Matt
and Foggy’s relationship this season:
Matt realizing how much he needs Foggy’s support.
Image Courtesy www.wegotthiscovered.com |
For her part, Karen is trying to
track down information on the Punisher and figure out how to protect Nelson and
Murdock from the blowback from the botched sting last episode. She is at the office when Grotto calls, but
he does not want any more help from them; he is going to get out of town his
own way. Too bad for him that his way of
leaving the city put him in the Punisher’s sights…
While researching D.A. Reyes,
Karen pieces together that Reyes has been involved in a lot of shady dealings,
but that she has never actually been touched by those scandals; instead, she
has forced her underlings to take the fall, leaving her own career and reputation
intact. This is information that she can
use, and she takes it to A.D.A. Towers (who actually has quite the comic book
history). Karen tells Towers exactly
what she discovered: Towers’
predecessors have all been forced to resign amid scandal in order to protect
Reyes’ political career, and the only way he can save himself is by working
with her so she can get to the bottom of this conspiracy, which she suspects
that Reyes is orchestrating to cover up some scandal involving the Punisher. Towers agrees to give her the information,
but tells her not to contact him again.
Over the remainder of the
episode, Karen goes through the photographs in the Punisher file to make notes
on them. Finally, the last shot of the
episode is of Karen holding up a skull X-Ray, showing a small bullet hole: the Punisher’s skull.
Image Courtesy www.mcuexchange.com |
I really like this episode for
how much intensity it builds into the Daredevil/Punisher confrontation. Unlike their previous confrontations, this
time they finally acknowledge the ideological differences that drive them to
fight crime in such different ways. The
rapport the two seem to have is on full display. I also like that everyone gets something to
do in the episode.
What did you think of this
episode? What comic book scenes do you
want to see brought to life in the MCU? Let
me know in the comments!
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After all the critical success Daredevil Season 2 enjoyed when it released in March 2016, Marvel decided to bring it back for a third season, and we are certain that it will be released on Netflix soon just like the previous 2 seasons. Also, fans might witness the comeback of Elektra in Daredevil Season 3
ReplyDeleteTo know about Daredevil Season 3 Trailer/Teaser just take a look and you get all the information you need.